Updated April 2008
Icons of Europe's research in 2003-2007 unravelled
Chopin's secret romance with Jenny Lind, The Swedish
Nightingale.
Chopin had broken with George
Sand in 1847. To escape the hard times caused
by the French revolution of February 1848, he travelled to
London in April ...
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Fryderyk Chopin
Zelazowa Wola 1810 - Paris 1849
Watercolour
by Teofil Kwiatkowski |
« Chopin met Jenny Lind in London in April 1848.
The
wealthy and well-connected soprano became quickly his
musical and financial benefactor. With Queen Victoria
in the know, she travelled to Paris in May 1849 in an
attempt to marry the ailing Chopin. However, the
cholera forced her to flee. She returned in October
just before he died and organized his
grandiose funeral at La Madeleine. -
While covering up her romance with Chopin, Jenny
Lind devoted the rest of her life to
enshrining his legacy. The Orpheus legend
provided a theme for paying tribute to Chopin's
music. »
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DOCUMENTATION OF THE FINDINGS
(back)
Icons of Europe has documented its main research
findings on
Chopin and Jenny Lind's relationship in two major publications:
- The biography
Chopin and
The Swedish Nightingale by
Cecilia and Jens Jorgensen, Brussels
2003,
ISBN 2-9600385-0-9.
Poland's Ministry of Culture consulted on a draft in
Warsaw on 14 May 2003.
-
Research paper
of 1 March 2004, revised 29 January 2005.
The comprehensive original period evidence, some not
seen before, was provided by national archives, press
libraries, and other sources in Europe. Research paper
made available to the
Fryderyk Chopin Institute and others.
... and produced supporting essays and analyses:
.... as well as information and events on
related subjects:
EXPERT OPINIONS, THE MEDIA
(back)
Chopin experts have commented favourably on the new
research:
The media have reported on the new
research findings:
Wiener Chopin-Blätter (Vienna,
Autumn 2003);
Berlingske Tidende (Copenhagen, 21
November 2003);
Chopin in the World
(Warsaw,
2003-2004
and
2004-2005);
Polityka (Warsaw, 6 March
2004); Musica Nova (Tokyo, 6 Sept.
2004); and
other
media.
CHOPIN AND THE NIGHTINGALE
(back)

Chopin and
The Nightingale is a dramatic reading
with
music in six acts for narrator,
two sopranos and piano (about 75 minutes).
Music by Bellini, Chopin and
Meyerbeer
as well as two Scandinavian signature-songs.
The drama re-enacts the
newly-discovered romance of the ailing Chopin and the
celebrated Jenny Lind, The Swedish Nightingale, in
1848-1849. Quotes from Chopin's letters and Hans
Christian Andersen's
The Nightingale set the stage for each act of the drama.
Andersen wrote the story in 1843 as a tribute to Jenny Lind.
In act VI, she sings Chopin's Mazurka in A-flat Op. 24 n° 3
for Queen Victoria ... and "the emperor says Good morning!"
Poster
2005 |
Jenny Lind at Chopin's
deathbed (video of act V)**
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Other songs
Jenny Lind sang her own arrangement of
Recueil de Mazourkas de F. Chopin for Queen
Victoria at Windsor Castle in 1855, and at
Buckingham
Palace on 30 May 1856 with Pauline Viardot ("...
faithful love will never die"). It is enacted in acts
IV and VI of Chopin and The Nightingale. The
original scores are available as well as an arrangement of
Bellini's Casta Diva for piano, which Jenny Lind sang
at a TB charity concert at Her Majesty's Theatre on 31 July
1848. Was it Chopin's version***?
Chopin and The Nightingale has been
staged at
Brussels,
Warsaw and
Toronto
in 2003-2005 to celebrate the new Europe and
longstanding transatlantic relations.
The
U.S. premiere
is set for July 2008 in
New York State to mark
World TB Day.
Cecilia and Jens
Jorgensen (Icons of Europe) are the playwrights and hold
all rights.
CHOPIN
INITIATIVES IN THE PIPELINE
(back)
Leading up to Chopin's
200-year
anniversary in 2010 and beyond:
- U.S. premiere of
Chopin and The Nightingale, July 2008

- Comprehensive essay in a well-known
global magazine
on the
Chopin / Jenny Lind research 2003-2008.
- New premiere of Chopin and The Nightingale,
Europe 2009.¹
- TV film of Chopin and The
Nightingale premiere for global use.
- Possible use of existing draft
film script (discussion with
Endemol).
- Continued research of Chopin
commemorations and a book.
Jenny Lind masterminded a Chopin scheme.
It inspired patrons and artists (Orphism²,
Warsaw³,
Paris salons,
de Polignac,
Paderewski,
Rubinsteinª,
Louvre,
Boston Club,
ZW park 1894,
Oscar Wilde,
La Belle Époque).
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Copyright © 2007 Icons
of Europe B-1380 Lasne.
Jenny Lind (1820-1887)

The
celebrated soprano and wealthy philanthropist Jenny Lind,
The Swedish Nightingale, was adored by Queen
Victoria and other monarchs in Europe. Hans Christian
Andersen wrote The Nightingale (1843) as a tribute to
her.
Jenny Lind
was court singer to the King of Sweden and Norway (Jean-Baptiste
Bernadotte), the Emperor of Austria and the King of Prussia.
She had therefore access to
Emperor Nicholas I of Russia (ruled Poland 1825-55)
and to Louis-Napoleon Bonaparte who became president of the
French Republic in December 1848.

Swedish
banknote since
1996
Icons of Europe

Activity since 2002

Chopin initiatives
"The seamlessness ..."

H.E. Mr Charles Crawford,
Ambassador of the United Kingdom wrote to his government
about the Warsaw premiere of Chopin and The Nightingale
at the Embassy of Sweden
on 6 April 2004:
"It ingeniously brought together historical and musical
elements from all over Europe ... to bring out the
seamlessness of great European culture."
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*JENNY
LIND AT CHOPIN'S
FUNERAL
Jenny Lind's Memoir of 1893 shows that she had no alibi for most
of October 1849. Unlike Chopin's local friends, she could have
afforded to fund the lavish funeral and she had the clout to seek government
permission for this unprecedented event. She knew well Lablache,
Viardot and the alleged "Mme Castellan" from London in 1847 and 1848.
However, the German viola player Fr. Niecks (II, p. 325) is the only source mentioning
Castellan, and he cites Jenny Lind as one his few surviving "chief
sources of information" (she appears even to have commissioned
and edited the book). Castellan was
known as a second-rate singer, who very unlikely could have been
entrusted the key soprano part of Mozart's
Tuba
Mirum at the funeral of Jenny Lind's beloved Chopin (ref. existing and new information posted at
Wikipedia by Icons of Europe). - This highly emotional event could be
re-enacted in 2010.
** ACT V:
Jenny Lind performs "Ah
non credea" (Amina), the Finale of the last act of Bellini's opera
La Sonnambula at Chopin's deathbed. The original score
says, "... as sung by Mademoiselle Lind on the Stage and subsequently at
her Concerts". Benjamin Lumley, director of Her Majesty's
Theatre in 1847-1849, writes in 1864: "Whilst Jenny Lind was in
Paris [in 1849] ... she sat down to the piano and gave her incomparable
Non Credea Mirarti."
*** CASTA DIVA: "Rekonstrukcija
akompaniamentu F. Chopin do cavitiny "Casta
Diva" i arii di bravura "Ah, bello a me riterna" z opery Norma
V. Belliniego" [sic].
Back to top |

Chopin under an uprooted tree
as in the Orpheus legend

Medal by Szymanowski
1926, Niggl n° 506 |
²
ORPHISM
could be defined as the creative expression of Greek mythology
with the Orpheus legend at its centre. This legend originated in
the sixth century BC. It has through the ages and till today exerted a
considerable influence on Western culture.
♫
Orphism
in Chopin artworks
Roots of the Symbolist movement
³
CHOPIN / ORPHEUS AT ŁAZIENKI PARK, WARSAW
Wacław
Szymanowski's massive sculpture
at Royal Łazienki Park in Warsaw (photo left), cast in Paris around
1902, seems to portray
Chopin / Orpheus under a 'tree uprooted by the power of his music'. Szymanowski
studied in Paris in 1875-1880 under Cyprian Godebski, who “specialized
in bronze busts of celebrities … and allegorical statuettes”.
Ovid writes:
"And list'ning trees
their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head."
Source: Metamorphoses, Book X,
The Story of Orpheus and Eurydice
by the Roman poet Ovid (born 43 BC). - Icons of Europe conveyed in 2006
and 2008 this observation to the
National Museum
in Warsaw and the
Fryderyk Chopin Institute.
ª
ARTHUR RUBINSTEIN
Icons of Europe's research links Arthur Rubinstein with
Princess Winnaretta de Polignac (his patron in Paris), whose salon
was known as a "Temple of Orpheus". With a special connection to
Jenny Lind (1820-1887), Winnaretta (1865-1943) played a key role for
many years in promoting CHOPIN's music with the apparent objective of emphasizing his Polish
origin.
Arthur Rubinstein "received international acclaim for his performances
of Frédéric Chopin and Johannes Brahms (1833-1897) and his championing
of Spanish music". Important
Spanish composers are Isaac Albéniz
(1860-1909) and Enrique Granados (1867-1916). -
NB:
Granados' 100 year-anniversary in
2016 coincides with
Córdoba's bid for becoming
European Capital of Culture. |
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